Michael Nyman - The Piano Sings, Vol. Nyman piano free download 1–20 of 70. The Piano de Michael Nyman. The Piano Michael Nyman rar. Hosted: mediafire.com. Michael Nyman - Discography - 1. Michael Laurence Nyman, CBE (born 2. Michael Nyman Title Of Album: Collection Year. Michael Nyman discography and songs: Music profile for Michael Nyman, born 23 March 1944. Genres: Film Score, Post-Minimalism, Modern Classical. Albums include The Piano, Drowning by Numbers, and The Cook, the Thief, His Wife & Her Lover.

The oldest Bach choir in the United States, The Bach Choir of Bethlehem celebrates its 120th birthday in 2018. Since its founding in 1898, the now famous choir has attracted thousands of visitors from across the United States and beyond to the annual Bethlehem Bach Festival in Pennsylvania. According to a note on the score, the Song for Saint Cecilia’s Day (HWV 76) – usually referred to as the – took just 10 days to compose, between September 15 and 24, 1739. The Ode is not an oratorio but rather a sequence of movements, comprising instrumental pieces, declarative recitatives, expressive arias, and powerful choruses that extol music and its patron saint. With Cassandra Lemoine, Benjamin Butterfield & The Bach Festival Orchestra, directed by Greg Funfgeld, this is a glorious release.

Yevgeny Sudbin has previously recorded Beethoven’s piano concertos – releases which have received international acclaim, for instance on the website ClassicsToday.com: ‘A Beethoven experience you will not want to miss.’ For his first disc featuring solo works by Beethoven, Sudbin has chosen the two final sonatas and the Six Bagatelles, Op. 126 – late works written between 1821 and 1824, just a couple of years before the composer’s death. There are numerous anecdotes that testify to the fact that Beethoven was highly temperamental. But in his liner notes to this disc, Sudbin writes of another, contrasting side to the composer: ‘warmth, generosity and wisdom – with unexpected outbursts of cheeky humour – are also unmistakably among Beethoven’s qualities and particularly evident in the works on this recording’. If form one of the most important collections of works in the history of music, then the final ones belong to his crowning achievements. Various musicians and musicologists have commented on them, hearing a hard-won triumph of the spirit in the great fugue of the final movement of Op. 110, and interpreting Op.

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111 – and especially its second movement, the famous Arietta – as a last farewell. The set of Bagatelles was composed only months after Beethoven had completed his monumental Ninth Symphony. It became the last work for piano to be published in his lifetime, and together the six brief pieces form a distillate of a lifetime of writing for and playing the piano. Sometime in the late 1990s, Japanese composer Ryuichi Sakamoto was stuck in a Tokyo traffic jam. A melody had popped into his head while he was driving; during the standstill, he called home and sang it into his answering machine, he remembers. At the time, Japan was still in the grips of “The Lost Decade,” a period of economic downturn following the inflated tech optimism and conspicuous consumption of the 1980s. Y2K anxiety was gathering momentum.

Amid the stress of busy city streets, the melody harbored a yearning for the reflective pleasures and possibilities of meandering. The little tune eventually grew into “Opus,” the opening track of Sakamoto’s mid-career solo piano album, BTTB. BTTB, an acronym for “Back to the Basics,” has generally been remembered as homage: Sakamoto doing Satie, painting impressionistic scenes to speak to the subconscious. Memory, however, has a tendency to behave like water—one minute flooding the senses, the next smoothing away details. In BTTB’s case, the weirder, more prescient, and occasionally humorous moments have been washed from the public record.

To be fair, the album’s form was fluid from the start. First released in Japan in November 1998 with 14 tracks, it was reissued just four months later with the addition of the somber “Snake Eyes” and a four-handed piano version of the 1979 song “Tong Poo,” from Sakamoto’s hugely influential Yellow Magic Orchestra. Subsequent European and U.S. Versions did away with some experimental tracks to make room for more commercial offerings. The Bach suites for solo cello are among the most frequently recorded -- and debated -- works in the whole of the classical repertoire.

This is certainly the case if only considering the cello repertoire, with cellists often making multiple releases of the suites as their relationship with and interpretation of Bach change over their lives. As such, new releases of the suites are often met with skepticism and cautiousness. This set by French cellist Jean-Guihen Queyras proves, however, that there are still new things to be said about Bach, and that there is always room for one more magnificent recording of the cello suites. A student of Baroque cello guru Anner Bylsma, Queyras is heard here playing on a modern instrument. His training with Bylsma is obvious in his approach to the suites, but the modern instrument provides a clarity and resonance of sound that is completely enveloping.