Anime mar heaven sub indo 480p size 12 2. Here's an outstanding collection of some of the great dance numbers from the early 1930s to the mid 1980s. From the early years, I've always found it fun to marvel at the talent of Ruby Keeler, Eleanor Powell, Fred Astaire, Bill Robinson, Shirley Temple, Gene Kelly, etc.

Here they all are on one tape! What a great tribute to these great entertainers and perhaps it can turn people on to watching some of these great musicals of the past.

I'm also always awed at those great sets on the Busby Berkley extravaganzas. They were incredible. The more you like tap dancing, which I do, the better this tape (or disc, now that it's out on DVD) will look to you, but there are other forms of dance featured in here, too.

If there’s one word that captures the feel of the 1980s in pop culture, it’s joy. Sure, there have been classier, deeper, artier, weirder eras—in fact, probably any other decade you care to name in the past century is cooler than the ’80s—but that’s precisely why ’80s parties are the most fun (soundtracked by our playlist of course). In the grand and ridiculous prom that was the ’80s, music and movies were king and queen, coming together for a perfect, soft-focus tumble. Who can imagine ’s canon of without their glorious new wave soundtracks? Or the late, great Harold Ramis’s masterpiece,, without its ectoplasmically wonderful anthem? Bustin’ makes everybody feel good! So in this spirit of joy, we’ve put together a list of the all-time greatest songs from ’80s movies for your delectation and delight.

A note on our selections: We’ve featured only tracks made in the ’80s, so while old soul classics like “Stand by Me” and “Do You Love Me?” loomed large in some ’80s movies, we’re sticking with the acid-washed denim ’80s hits. Fans of, Prince, Starship and—hell yes—Kenny Loggins, get ready.

Search and download from millions of songs and albums. All songs are in the MP3 format and can be played on any computer or on any MP3 Player.

Let’s do this! Written by Michael Chen, Brent DiCrescenzo, Andrew Frisicano, Sophie Harris, Oliver Keens, James Manning, Tristan Parker, Amy Plitt, Joshua Rothkopf, Hank Shteamer, Steve Smith, Sarah Theeboom and Kate Wertheimer.

“Batdance” is to the Purple One’s playful soundtrack as the trailer is to the movie. In this three-part album closer, Prince dices and splices clips from the movie and bits of his own songs, whipping up a funky hybrid of house music and New Jack Swing—complete with a hair-raising, hair-metal wank solo. It’s dance-floor serious, but with all the camp, color and pow! Of a 1960s DC Comics panel.

The opening third revisits “The Future,” a cut that 25 years later still sounds on the 22nd-century horizon. But it’s part two, the Vicki Vale section, that captures our hearts and booties, as the little sex elf admits, “Oo yeah, oo yeah, I wanna bus’ that body.” —Brent DiCrescenzo. White kids in the suburbs were beat-boxing and laying cardboard boxes in their driveways for break dancing before Licensed to Ill came along. Breakin’ and Beat Street took budding New York hip-hop culture to middle America in 1984.

A year later, Krush Groove prematurely mythologized the rise of Def Jam Records—a year before the Beastie Boys even released a record. This jam was better than anything on those other two soundtracks, bringing together rap icons Run-D.M.C., Kurtis Blow, Fat Boys and, uh, Sheila E., introducing so many youth to rhyming and scratching. Parents’ turntables would be permanently damaged soon thereafter. —Brent DiCrescenzo.