Contents • • • • • • • • • • • • • • • • • • • • • • History [ ] The Black Metal Trilogy [ ] The band was founded in 1993 in by vocalist together with Grellmund, Robin Malmberg,,, and A. Ulver issued their first demo,, in November 1993. Their music and style was consistent with the of the early 1990s. However some have noted the,, and influences that would later shape the band's sound. The archaic Dano-Norwegian lyrics were greatly influenced by and inspired by Baroque poets such as and the hymn-writer. Their debut album,, the first part of what has become known as Ulver’s ',' was issued in February 1995 through label.

This is the discography for Norwegian avant-garde band Ulver. Shop for Vinyl, CDs and more from Ulver at the Discogs Marketplace. On their demos and first album, 'Bergtatt', they played black/folk metal, 1996's.

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The album was met with critical acclaim, and was notable for blending black metal, harsh vocals and blurred, buzzing guitars with quiet, folk-like acoustic passages. It was praised for its unique atmosphere and was described as 'mysterious, melancholic, eerie, and oddly tranquil.' For their second album, issued March 1996 by, Ulver eschewed a typical sound by incorporating, and choral chamber chants overlaid with subtle orchestral landscapes.

The album was a drastic contrast to Bergtatt, whilst still retaining the atmospheric and folk themes. Vocalist has since remarked that, despite strong content, was an 'immature attempt at making a classical album'. The album was praised for its atmosphere, evoking a feeling of quiet, eerie solitude. Following the success of their first two albums, Ulver signed with German label for their third album, issued in March 1997, marking the band’s international debut. The album showcases a style similar to Bergtatt, abandoning the acoustic and atmospheric elements of Kveldssanger, with an intentionally sound.

The album has been described as 'raw and grim black metal at its blackest.' A common myth about the album is that the band spent the recording budget on suits, cocaine and a Corvette; and recorded the album outdoors in a Norwegian forest on an., however, has stated that this is not true; and possibly a rumour started. The album has been described as 'so fast and ferocious and the vocals so garbled that it's best just to take the sheer sonic force as reflecting the band's concept, rather than trying to piece it all together.' Metal Injection concluded ' Kveldssanger had no electric instruments, Nattens madrigal had no acoustic instruments, but Bergtatt, has both acoustic and electric instruments; it’s like they spliced the elements from Bergtatt into two separate albums. If that’s the case, then Nattens madrigal really showcases the black metal prowess of the band. The album answers exactly why people were so angered by Ulver’s transition away from black metal, and why people are still bitter at their direction today.'

In 1997, issued, a limited edition collection, containing, and in LP Picture Disc format, housed in a cardboard box, with a booklet & bonus posters. The Blake Album [ ] invited composer and sound architect Tore Ylwizaker into the collective in order to expand their artistic and musical visions; and together they stepped over the boundaries of black metal aesthetics, creating a genre-defying work in, released in December 1998. The album was issued through ’s own imprint,, a label born out of discord between Ulver and Century Media. Musically, the album blended, elements, and, adding passages. Lyrically, the album incorporates the entire text of 's, utilising guest vocalists on several songs. The album received widespread acclaim from critics within both the rock/metal and alternative music press - being awarded ‘album of the month’ in several high-profile magazines such as,, and Rock Hard and ranked highly in their end of year's best polls. However, the album’s transitional nature perhaps alienated many fans of the band's first three albums - causing a backlash from the scene.

Metamorphosis [ ] Ulver, now only consisting of and Ylwizaker, issued an,, in September 1999. The music moving to the more heavily electronic approach, bridging the gap to the ambiance of 2000’s full-length album. In the sleeve notes to, the group declared: “ Ulver is obviously not a black metal band and does not wish to be stigmatized as such. We acknowledge the relation of part I & III of ( Bergtatt & Nattens Madrigal) to this culture, but stress that these endeavours were written as stepping stones rather than conclusions. We are proud of our former instincts, but wish to liken our association with said genre to that of the snake with Eve.